Saturday, September 14, 2013

The Grandmaster - 一代宗師



The Grandmaster (一代宗師) is an 2013 film out of Hong Kong. The movie is directed and written by the acclaimed Wong Kar-Wai. The film stars Tony Leung and Zhang Ziyi. The supporting cast include Chang Chen, Song Hye-kyo, Wang Qingxiang, Zhang Jin, and Zhao Benshan. Cung Le makes a brief cameo in a fight under the rain. There are three version of the film. I have seen the Hong Kong and US versions.



Ip Man is in Foshan in 1936. A northern master has come south to retire and handing the reigns to his disciple Ma San. However, Ma San goes overboard and hurts combatants. Ip Man is to represent the Southern masters in one last duel with the Northern master. The two come to a non-physical duel. The duel is of ideals for martial arts. Ip Man wins by his philosophical ideal of expanding martials arts beyond the border of northern and southern Zhong Guo. Gong Er is the daughter of the defeated Northern master. Gong Er and Ip Man duel to pretty much a stand still before a Ip Man breaks a step. The terms of the duel were that nothing would be broken by the winner. Gong Er and Ip Man are than separated and long to reunite for another duel. Do the emotions they have for each go beyond their reverence for martial arts? The Sino-Japanese war lands in Foshan and Ip Man is forced to live in poverty for much of the remainder of his life. 1950 is here and Ip Man relocates to Hong Kong and sets up shop to spread Wing Chun.



This movie was not an action film. It was a Wong Kar-wai film. If you paused the film, it would look like a photograph you might hang on a wall. It was a beautiful film. The way Wong gets his films to look the way they do is amazing. 6 years was way too long from his last film, My Blueberry Nights.



The Hong Kong and US versions of the film were like watching two different films. The Hong Kong version was clocked at 130 minutes and the US one at 108. Another international version shown at the Berlin film fest was 123 minutes. I think only the HK and US version will be available to the general masses.



I liked the Hong Kong version better. It was classic Wong. The scenes were filled with flashbacks to an earlier times in the beginning moments. The non liner presentation made me long to know what was next. All along, I was pressed into the current scene and the grand emotions there. The dialogue was also pretty amazing. The Hong Kong version I watched was completely in Mandarin, I didn't have subtitles to distract me. I was able to focus on the faces, the scenery, the movie! Zhang Ziyi is still a beauty. During the Golden Palace scenes, she was plain and seemed to be without make up. While the other women all around her were made up and had fancy clothes on. BUT Zhang Ziyi was still heads above more beautiful than the rest of them. A testament to her natural beauty. The teahouse scene in Hong Kong between Zhang Ziyi and Tony Leung still resonances. From their philosophical chat and to Zhang's utter look of being defeated by life.

The US version was more linear and tried to tell a story from start the finish. Leaving out whole sub plots and inserting some scenes not in the HK version. I also enjoyed it and I recommend it to my US based friends as well. It's more digestible for the folks on this side of the pond. Marketed as a film about Bruce Lee's master, it left out the two main fight scene from Chang Chen's baji style.

In both films, the way Chang Chen's story was only a little of adding how the martial arts world had moved to HK was a disappointment. Knowing that rumors of an original 4 hour cut was around, I would have been very happy if Wong split the films into two!



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